The story of a secretary, Miss Prim, working in the world of the children's court, who was given to flights of fancy.

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Our Private World is an American serial. The storyline started on As the World Turns, with Lisa boarding a train to Chicago and the announcer encouraging the audience to watch the spin-off. Upon arriving, Lisa took a job in the admitting room of the local hospital and met her wealthy future husband John Eldredge. A few months after the demise of the series, Fulton returned to As the World Turns.

Linor Abargil, an Israeli beauty queen, was raped two months before being crowned Miss World in 1998. Ten years later, she’s ready to talk about it – and to encourage others to speak out.

David Attenborough takes us on a guided tour through the secret world of plants, to see things no unaided eye could witness. Each episode in this six-part series focuses on one of the critical stages through which every plant must pass if it is to survive:- travelling, growing, and flowering; struggling with one another; creating alliances with other organisms both plant and animal; and evolving complex ways of surviving in the earth's most ferociously hostile environments.

The story of Eddie Slovik, who was executed by the Army in 1945, the only American soldier to be executed for desertion since the Civil War.

Follows the director of a large plant, acutely aware of his personal responsibility to society for everything he is involved in.

Italian-French costume dramedy that takes place in France in the end of 18th Century during the French Revolution. It is "The Marriage of Figaro" meets "The Dangerous Liaisons" and it tells the story of two women, Mathilde Seurat, the actress and Julie Renard, the aristocratic wife and a mother (Delphine Forest plays both) with the same face who came from the different parts of society and at one point exchanged their identities and their lives. The movie also features Giancarlo Giannini and great Vittorio Gassman.

A two-part in-depth exploration of the evolution of the private film industry, seen through the eyes of more than 50 industry professionals. Part One (1939-1979) : Artists and professionals from the social and commercial film sectors recount the struggle to build a film industry that is privately operated yet publicly funded. Part Two (1980-2010) : Executives, policymakers, and industry professionals trace the origins of the major funding institutions and discuss the unintended consequences of building a cultural industry around performance metrics, revenue generation, and private profit.